Master of Moulins
French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.

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Master of Moulins Portrait of Charles II of Bourbon oil painting


Portrait of Charles II of Bourbon
c. 1485 Tempera on panel, 35 x 27 cm
Painting ID::  32398
Master of Moulins
Portrait of Charles II of Bourbon
c. 1485 Tempera on panel, 35 x 27 cm
   
   
     

Master of Moulins Mary Magdalen and a Donator oil painting


Mary Magdalen and a Donator
1498-1500 Panel, 53 x 40 cm
Painting ID::  32401
Master of Moulins
Mary Magdalen and a Donator
1498-1500 Panel, 53 x 40 cm
   
   
     

Master of Moulins Pierre II, Duke of Bourbon, Presented by St. Peter oil painting


Pierre II, Duke of Bourbon, Presented by St. Peter
1492-93 Wood
Painting ID::  32402
Master of Moulins
Pierre II, Duke of Bourbon, Presented by St. Peter
1492-93 Wood
   
   
     

Master of Moulins Portrait of a Young Princess oil painting


Portrait of a Young Princess
mk161 Tempera on panel
Painting ID::  41288
Master of Moulins
Portrait of a Young Princess
mk161 Tempera on panel
   
   
     

Master of Moulins The Meeting of Saints Joachim and Anne at the Golden Gate oil painting


The Meeting of Saints Joachim and Anne at the Golden Gate
mk170 circa 1500 Oil on oak 72x59cm
Painting ID::  42936
Master of Moulins
The Meeting of Saints Joachim and Anne at the Golden Gate
mk170 circa 1500 Oil on oak 72x59cm
   
   
     

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     Master of Moulins
     French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.

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